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Halftone Generator
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Halftone Generator

Convert any photo, logo, or motif into a print-ready halftone. Circle, square, or line dots. Adjustable LPI and grid angle — matched to screen-print industry standards. Instant, private, no signup.

Private · never uploaded Instant preview Commercial use
Unlimited · 100% free
55 · Medium
CoarseFine
45°
Learn more

What is a halftone and why does screen printing need it?

A halftone simulates continuous tone — like the gradual shadows on a face — using a grid of dots of varying size. Where the image is dark, the dots are large; where it's light, the dots shrink to nothing. From normal viewing distance your eye blurs the dots together and sees a smooth gradient. It's the foundation of every printed photograph in newspapers, magazines, packaging, and T-shirts.

Screen printing specifically can't reproduce shades of gray in a single color — the ink is either there or it isn't. Halftoning converts continuous tone into a pattern the printer can physically produce. The density (measured in Lines Per Inch, LPI) controls how fine the dot pattern is: a garment tee with thick cotton might top out at 45 LPI, a glossy magazine cover runs at 133–150 LPI.

Pair this tool with our Color Extractor to decide which colors to halftone for a multi-color screen job, and the Seamless Repeats tool to tile your halftoned design for all-over prints.

Common use cases

What people use the halftone generator for

Prepare artwork for T-shirt screen printing

The classic use. Set LPI 45-55, angle 45°, circle dots, download the PNG, send to your screen-print shop. They'll use it to burn the emulsion screen directly. Works for both dark and light tees (toggle invert for light designs on dark garments).

Risograph zine and poster art

Risograph printing uses halftones natively. Set LPI 40-65, angle 45°, line dots for that classic newspaper / editorial feel. Export PNG, drop into your zine layout, the risograph printer handles the rest.

Retro-style graphic design

Halftones signal "vintage" and "80s zine" instantly. Use on illustration backgrounds, music posters, Instagram grids, and product packaging where you want a deliberately-crafted analogue feel.

Textile dye-sublimation and digital print

Even when the printer supports continuous tone, some textile designers deliberately halftone specific regions for texture. Run only your focal element through this tool, layer it back onto the base design in Photoshop.

Preview a design before costly CMYK separation

If you're unsure whether your artwork will look right as halftone before paying a screen-print shop for separations, run it through here first. Catches obvious issues (too dark, too much detail, harsh transitions) early.

Editorial photography with a magazine feel

Newspaper and magazine photos were all halftoned before digital. Recreate that editorial aesthetic for zines, portfolios, or photography Instagram feeds with a single pass through this tool.

Pick your settings

LPI + angle cheat sheet

45 LPI · 45°

Cotton tee screen print

Standard for thick-fibre garments. Large dots hold ink cleanly without bleeding. Use circle dots.

85 LPI · 45°

Newspaper and zines

The historical newspaper standard. Works on every paper stock, pairs well with risograph. Line dots give an editorial feel.

133 LPI · 15°/45°/75°

CMYK magazine quality

Four-color process printing. Each channel gets a different angle (C 15, M 75, Y 0, K 45) to prevent moiré.

How it works

Four steps, no signup

01
1

Upload any image

Drop a JPG, PNG, or WEBP up to 10 MB — a photo, a logo, or a textile motif. The tool converts the image to grayscale and uses brightness to drive dot size.

02
2

Pick dot shape and density

Circle, square, or line dots. Higher density (more lines per inch) gives finer detail; lower density produces the classic chunky screen-print look. Rotate the grid angle to match print-industry standards (15°, 45°, 75°).

03
3

Preview the halftone result

Every pixel's brightness controls its dot size — light areas get tiny dots, dark areas get filled dots. Live preview updates as you tweak density and angle. Toggle between black-on-white and white-on-black.

04
4

Download the halftone PNG

Export a crisp vector-style PNG at the original resolution. Ready for screen-print separations, zine art, textile prints, and retro-style graphics. No watermarks.

Why Texloom

Print-industry controls, not a filter

Named the way screen printers talk: LPI, angle, dot shape. No Photoshop abstraction.

Real print LPI

Density is calibrated to actual print DPI, not arbitrary Photoshop frequency values. What you set is what your printer will reproduce.

Industry-standard angles

One-tap presets for 0°, 15°, 45°, 75° — the CMYK screen angles every printer expects.

Private, no upload

Every pixel is rasterised on your device. Nothing is uploaded or stored. Close the tab, it's gone.

Production-ready PNG

Crisp lossless PNG at source resolution. Commercial use allowed. Drop it directly into a screen-print film workflow.

FAQ

Frequently asked

Q.What is a halftone and why is it used in screen printing?
A halftone is a reproduction technique that simulates continuous tone (grays or colors) using dots of varying sizes. It's the standard method for screen printing, newspaper printing, and offset lithography — you can't physically print a 'gray' with a black ink, so printers use small-to-large black dots that the eye blurs into apparent grays at normal viewing distance. Every T-shirt design with photographic detail is halftoned first.
Q.What does density (LPI) mean?
LPI stands for Lines Per Inch — the density of the halftone grid. 45 LPI is coarse and looks chunky (ideal for garment screen printing on cotton tees). 85 LPI is the newspaper standard. 150 LPI is magazine-quality. Higher LPI = finer detail but harder to print on rough fabric. Match your LPI to what your printer can physically hold.
Q.Why does the halftone angle matter?
Rotating the grid prevents moiré (interference patterns) when halftones stack. The industry standard angles for CMYK process printing are Cyan 15°, Magenta 75°, Yellow 0°, Black 45° — these offsets mean the four screens don't interfere. For single-color work, 45° is traditional because the human eye is less sensitive to diagonal patterns than to horizontal/vertical.
Q.Can I use this for screen-print T-shirts?
Yes — this is exactly what it's made for. Upload your design, pick 45° angle, 45-55 LPI for tees (higher for premium prints, lower for thick cotton), download the PNG, send to your screen-print shop or use it as your transparency film source. For multi-color work, separate the colors first with our Separation Studio, then halftone each channel separately.
Q.How is this different from Photoshop's halftone filter?
Same underlying technique (ordered dithering with size-modulated dots) but no Photoshop license needed, no file upload, and the controls are named the way screen printers talk about them (LPI, angle, dot shape) instead of Photoshop's abstract frequency/threshold language.
Q.What dot shape should I use?
Circle dots are the industry default — smoothest gradation, works on every substrate. Square dots have a slightly more graphic, 80s-zine aesthetic and sometimes read better on low-resolution screens. Line dots (horizontal bars) give a risograph / newspaper editorial feel — great for posters and editorial prints, less common for garment.
Q.Is my image private?
Yes. Your image never leaves your device — the halftone conversion runs entirely in your browser. No upload, no storage, no training data. Close the tab and the file is gone.
Q.Can I use this commercially?
Yes. You own everything you upload and everything you export. No watermarks, no attribution requirement, no usage restrictions. Use for fashion collections, merch, client work, editorial, or print-on-demand.

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Color Extractor

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Recolor patterns in seconds.

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