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Screen Printing
For Screen Printers

Separations that ship.
Files RIPs love.

Spot-color separation, halftone screens, registration marks, and CMYK previews — every output you need to drop straight into your shop's RIP.

Screen-print shops live or die by the prep file. A bad separation means hours of mid-run color correction, scrapped substrates, and the customer asking why the proof doesn't match the run. Texloom's Separation Studio is built specifically for this stage — automatic spot-color identification, halftone screens at any LPI and angle, transparent backgrounds for press-ready overlays, and TIFF / PSD outputs that drop into Adobe Streamline, Wasatch SoftRIP, Caldera, AccuRIP, FilmMaker, or any other RIP without manual cleanup. Hours of prep become minutes.

Start Designing
55–85
LPI halftone range
Auto
Spot color extraction
TIFF/PSD
RIP-friendly outputs
ΔE<2
Pantone match accuracy
Why screen printing teams choose Texloom

Challenges we solve

Separating an artwork into spot colors by hand in Photoshop takes 30–90 minutes per design.
Separation Studio's K-means engine identifies the spot colors automatically and produces transparent per-channel layers in under a minute.
Halftone screens have to be drawn for each separation — at the right LPI and angle to avoid moiré.
Halftone screens are generated automatically at the LPI and per-channel angle you specify. Standard angles for 1–8 colors are pre-set; custom angles are one click away.
RIPs reject files with the wrong layer structure or missing transparent backgrounds.
Outputs are layered PSD with each spot color on its own transparent layer — or multi-page TIFF with the same structure. Drop straight into your RIP.
Pantone matching against ink swatch books is slow and imprecise.
Pantone Color Finder uses CIEDE2000 Delta-E against the full TCX library. Anything under ΔE 2 is a commercial match — and you see the number before you mix the ink.
Workflow

From idea to production-ready file

  1. 1

    Upload the artwork

    Any artwork at any resolution. Texloom upscales internally to 2048px for processing, then upscales the per-channel output back to source resolution at export — so a 600 DPI source ships as a 600 DPI separation.

  2. 2

    Auto-separate into spot colors

    Click Auto-Separate. The K-means engine identifies the dominant colors, groups them by family, and generates one transparent layer per spot color. You can refine the count, merge near-duplicates, or split a color into two.

  3. 3

    Lock each color to Pantone TCX

    Per-layer, click the swatch and Pantone Color Finder shows the closest TCX matches. Save the matched palette so the print operator can mix to the published value.

  4. 4

    Set halftone screens

    Pick LPI (55–85 covers most apparel substrates) and the per-channel angle. Standard angles for 1–8 colors are pre-loaded. Preview the halftone live before exporting.

  5. 5

    Export to your RIP

    Multi-page TIFF for AccuRIP and Wasatch, layered PSD for Streamline and FilmMaker. Backgrounds are transparent, registration marks optional, color values embedded — RIP-ready.

Built for screen printing

Tools you'll use every day

Separation Studio

Spot-color separation + halftones

Pantone Color Finder

Match ink colors to TCX with Delta-E

Halftone Generator

Standalone halftone tool

Vectorize Studio

Convert raster artwork to clean SVG

Format Converter

PNG / JPG / TIFF / PSD batch

Watermark Remover

Clean licensed reference imagery

Use cases

Common scenarios

T-shirt and apparel screen printing

Plastisol or water-based inks, 1–8 spot colors, halftone screens at the standard apparel LPI.

Promotional product screens

Tote bags, koozies, hats — many substrates per job, each with its own color count and registration tolerance.

Limited-edition art prints

Fine-art screen runs with 6–12 colors, custom halftone angles to control moiré, and per-pull registration.

Sportswear and team apparel

High-volume runs where prep speed determines profit margin. Auto-separation cuts hours off every order.

Music merch and band shirts

Tight turnaround, complex artwork, multi-color separations. Studio handles the prep so you can focus on the press.

Custom shop and brand collaborations

Each design unique, each substrate different. The studio learns your standard angle/LPI presets across jobs.

Industry FAQ

Questions about screen printing on Texloom

Yes. Multi-page TIFF (one channel per page, transparent background) is the format AccuRIP and Wasatch consume. Layered PSD covers Streamline and FilmMaker. Both formats are produced at the click of a button.

Read more FAQs

Related industries

Industries that use the same screen printing tools and workflows.

Denim Design
Wash designs, indigo print effects, screen-print prep, and rapport-aware exports — built for denim brands and mills working at jean-bottom precision.
Promotional Products
Logo-locked palettes, engineered substrate-specific prints, and bulk-batch exports for promotional product distributors and corporate merch programs.
Custom Apparel
Built for custom-print shops, screen and DTG printers, embroidery shops, and on-demand apparel manufacturers handling a high mix of small orders.
Apparel Manufacturing
Manufacturing-grade tools for apparel houses — Pantone-matched palettes, multi-tier color separations, fabric yield calculations, and bulk export.

Related resources

Color Separation TutorialHalftone GeneratorApparel ManufacturingPantone Matching Guide

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