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How to Prep a Pattern for a Fabric Mill: 8-Point Checklist
Production11 min read

How to Prep a Pattern for a Fabric Mill

A fabric mill is not a print-on-demand vendor — it's a production facility that costs thousands per setup and reorders take weeks. Submitting a half-prepared file forces the mill's pre-press team to make assumptions, and those assumptions cost you money in strike-off iterations. This 8-point checklist is the difference between a one-pass approval and a four-week color-matching nightmare.

By Texloom Design Team · Textile AI editorialMay 10, 202611 min read

Step-by-Step Guide

1

Verify seamlessness in a 3×3 grid

Tile the pattern in a 3×3 grid at 100% zoom. Check the edges where tiles meet — visible seams, color banding, or 'highway' artifacts mean the file isn't seamless. Use Texloom's Seamless Checker or Photoshop's Offset filter (set to half the tile dimensions). Fix any seams before proceeding; the mill cannot fix this for you.

Pro Tips
  • 3×3 grid is the standard preview
  • Half-offset reveals horizontal/vertical seams
  • Mirror or reflection is a visible-from-distance failure
2

Confirm DPI matches the print method

Digital roll printing wants 150-300 DPI. Rotary engraving wants 300-600 DPI. Screen printing wants 72-150 DPI (limited by mesh count). Check your file's actual pixel density — not just the metadata tag. A '300 DPI' file at 72-DPI native pixel density will print blurry at the requested size. Re-render at the correct native DPI before handoff.

Pro Tips
  • DPI must match native pixel density
  • Tagging without resampling doesn't help
  • Confirm with the mill which DPI they expect
3

Embed the source ICC color profile

Export with the source ICC profile embedded (sRGB, AdobeRGB, or ProPhotoRGB). The mill's RIP reads the profile and converts to the destination fabric profile. Files without embedded profiles get assumed-sRGB by default, which shifts AdobeRGB and ProPhotoRGB designs visibly. Embed always — it's a checkbox in every modern export dialog.

Pro Tips
  • sRGB is default; explicitly tag AdobeRGB
  • ProPhotoRGB needs special handling at the mill
  • ICC tagging is a checkbox, not optional
4

Specify every color in Pantone TCX

Every color in the design should map to a Pantone TCX code. Use a color-matching tool to identify each cluster centroid in CIE-LAB and find the nearest TCX entry with CIEDE2000. Document each match with its Delta-E. The mill needs TCX codes to mix dye recipes; RGB or hex values are not sufficient.

Pro Tips
  • TCX is the textile color standard
  • Document Delta-E for every match
  • ΔE under 2.0 = commercial tolerance
5

Confirm repeat math against fabric width

The rapport (tile size) must divide evenly into the fabric width minus selvage. A 30 cm rapport on 150 cm fabric width fits 5 times exactly — clean. A 28 cm rapport fits 5.36 times — leaves a 10 cm partial tile that the mill has to cut and discard. Pick rapport sizes that divide evenly into your target fabric width, or accept the cut-waste cost.

Pro Tips
  • Rapport × N = printable width is ideal
  • Selvage allowance: 1-2 cm per side
  • Discuss with mill before locking the rapport
6

Export in TIFF or PSD with full bit depth

Hand off in TIFF (or PSD for layered designs). Use 16-bit depth for high-quality designs with smooth gradients; 8-bit is acceptable for limited-palette work but blocks gradients visibly. Do not export to JPEG — lossy compression introduces artifacts that survive into the printed yard. PNG is acceptable for simple designs but TIFF is universally preferred.

Pro Tips
  • TIFF or PSD for production
  • 16-bit for gradient-heavy designs
  • Never JPEG for handoff
7

Separate channels if going to screen print

If the mill is screen-printing, the file must be pre-separated into spot-color channels — one channel per ink. Each channel is a grayscale mask defining where that ink goes. Export as multi-page TIFF (one page per channel) or layered PSD. Specify halftone screen parameters (LPI, angle, dot shape) per channel in the handoff documentation.

Pro Tips
  • Multi-page TIFF for separations
  • One channel per spot-color ink
  • Specify halftone parameters per channel
8

Bundle the handoff documentation

Send a single ZIP containing: the production-ready file, a Pantone TCX spec sheet (color codes + Delta-E), a rapport spec (size in cm, repeat type), an ICC profile reference (source + recommended destination), and a halftone spec (if screen-printing). Mills appreciate a clean handoff; messy handoffs introduce errors.

Pro Tips
  • One ZIP, all the references
  • Pantone + rapport + ICC + halftone in one doc
  • Naming convention: project_color_method.tiff

Common Mistakes to Avoid

Sending the design without verifying seamlessness
Always check in a 3×3 grid before handoff
Mismatched DPI tag vs native pixel density
Re-render at the correct native DPI
Specifying colors in RGB or hex only
Map every color to TCX with documented Delta-E
Picking a rapport that doesn't divide into fabric width
Discuss rapport with mill before locking the design

Verify seamlessness in a 3×3 grid preview before sending to the mill.

Open Seamless Checker and skip the manual workflow.

Open Seamless Checker

Related Tutorials

Prepare Files for Textile Printing

Step-by-step file prep workflow

DPI for Fabric Printing

Resolution requirements per print method

How to Match Pantone Colors

TCX matching with Delta E precision