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For Textile Manufacturers

Mill-grade design tools.
Production at scale.

For woven, knit and printed-fabric mills: coded colour palettes with Lab values, separations, print preflight, spec sheets and team accounts.

A textile mill produces thousands of metres a day, so every colour drift is a costly correction and every misprint is yardage in the scrap bin. Texloom Studio covers the design and pre-press side of that work: colours matched to coded library colours with Lab values the dye house can target, seamless repeats checked before they print, spot-colour separations with trapping for screen lines, Print Preflight for digital lines, and spec sheets that put the production details in writing. Teams share one account with a credit pool their manager allocates. Technical weave and knit engineering stays in your CAD.

Start Designing
2,736
Coded library colours with Lab values
2 to 12
Screens per separation, or automatic
Preflight
Resolution, repeat, bleed and gamut checks
Teams
Shared credit pool, allocated by a manager
Why textile manufacturing teams choose Texloom

Challenges we solve

Design and pre-press happen in different tools, and files lose detail at every hand-off.
Design, colour matching, separation and preflight happen in one studio, so the file the designer approves is the file pre-press prepares.
Mill colour systems work in measured values; design teams work in monitor RGB.
Every colour is matched to a Texloom library colour with a permanent code and Lab values, which the dye house and colour lab can work to.
Rotary, screen and digital lines each need a different kind of file.
Separation Studio makes spot-colour plates with trapping and registration marks for screen work; Print Preflight exports a checked RGB or CMYK print TIFF for digital lines.
Factory instructions get lost between email, chat and files.
Spec Sheet produces a one-page production sheet: palette with nearest colour codes, dimensions, print size at 300 DPI, repeat type and fabric and ink notes.
Workflow

From idea to production-ready file

  1. 1

    Set the palette in codes

    Match each approved colour to its closest library colour, so designers, pre-press and the dye house all use the same codes.

  2. 2

    Design the master

    Create the print with AI Sketch Colorizer or AI Design Assistant, or import it, and make it seamless in Seamless Pattern Maker.

  3. 3

    Review and approve

    Check the repeat in the Seamless Tile Checker and the colours against the library codes before production.

  4. 4

    Prepare files for each line

    Separate for screen and rotary lines in Separation Studio; preflight and export a print TIFF for digital lines; generate a spec sheet.

  5. 5

    Send to the floor

    Pre-press receives checked files with colour codes and the production details written down.

Use cases

Common scenarios

Vertically integrated mills

One studio from the first design to the pre-press file, with the colour codes carried through.

Private-label fabric mills

A separate project and coded palette for each customer brand.

Jacquard weaving mills

Artwork reduced to a set number of colours (2 to 12) on separate channels, as a starting point for your jacquard software.

Rotary and screen printing mills

Spot-colour plates with trapping, a white underbase and registration marks, exported as layered PSD or multi-page TIFF.

Digital direct-to-fabric mills

Preflighted RGB or CMYK print TIFFs with the DPI set in the file.

Sample rooms and lab dips

Colour codes with Lab values sent with every sample request.

Industry FAQ

Questions about textile manufacturing on Texloom

Yes. Team plans give the organisation a shared credit pool; a manager invites members, allocates credits and sees team activity and analytics.

Bring your mill's design work together.

Talk to us about a team trial for your design and pre-press teams.

Try Texloom