For Mill Engineers & Pre-Press Technicians

Production-grade pre-press.
Mill-floor calibrated.

Built for the engineers who make designs print correctly — ICC profile management, RIP-ready exports, halftone screen specifications, dye-recipe handoff, and Delta-E tolerance protocols across every fabric base.

A mill engineer's job is to make the difference between a designer's monitor and the printed yard disappear. That means knowing every link in the color chain — RGB-to-LAB-to-CMYK conversion, ICC source and destination profiles, dot-gain curves, mesh-count-to-LPI matching, dye absorption per fabric base, illuminant metamerism, and the Delta-E tolerance the buyer's QC team will measure against. Texloom Studio is built for that workflow. The platform exports files with embedded ICC profiles tagged to your fabric base, separates colors with halftone parameters you specify (LPI, screen angle, dot shape per channel), and matches every spot color to Pantone TCX with CIEDE2000 — the same formula used by your color spectrophotometer. Pre-press becomes a verification step instead of a translation problem.

Start Designing
ΔE<2
CIEDE2000 Pantone match
ICC
Embedded source + dest profiles
8K
Production resolution exports
RIP
TIFF/PSD compatible
Why mill engineering teams choose Texloom

Challenges we solve

Designers hand off RGB files with no embedded color profile — pre-press has to guess at the source space and risks a color shift when converting to the press's CMYK or spot ink profile.
Texloom exports tag every file with the source ICC profile and (optionally) include a destination profile preset for your fabric base. The RIP reads both and applies a perceptual or relative-colorimetric rendering intent without pre-press intervention.
Halftone screen parameters (LPI, angle, dot shape) are specified by the designer in millimeters or in 'whatever Photoshop did' — pre-press has to redo the screening to match the mesh count and the press's dot-gain curve.
Separation Studio lets the engineer set LPI, screen angle, and dot shape per channel directly. The output file embeds the screen specification so the RIP applies it exactly. Mesh-count-to-LPI lookup tables are baked into the tool.
Pantone TCX matching by eye produces 60% commercial-tolerance hits and 40% rework. Each rejection costs a strike-off and 2-3 days of schedule slip.
Pantone Color Finder matches every color to TCX with CIEDE2000 Delta-E displayed before the file ships. Reject anything ΔE>2 at the design stage; ship to the mill with a written guarantee that the file is within commercial tolerance.
Dye-recipe handoff to the mixer is a Slack message with a screenshot. Recipe history isn't searchable; reorders rebuild the same color from scratch and risk drift.
Texloom exports a handoff sheet listing every spot color in the design with TCX code, Delta-E from design intent, recommended ICC destination profile, and screen ruling per channel. Recipe history is searchable per project.
Workflow

From idea to production-ready file

  1. 1

    Receive the design with embedded source profile

    The designer (in Texloom or Adobe) hands off a TIFF or PSD with the sRGB or AdobeRGB ICC profile embedded. Texloom Studio reads the profile, displays the assumed source space, and warns if the profile is missing or non-standard.

  2. 2

    Specify destination profile + rendering intent

    Pick the fabric-base destination profile (cotton-poplin, polyester-100, viscose-twill, etc.) and the rendering intent (perceptual for photo-realistic florals, relative-colorimetric for spot-color brand work). The studio simulates the printed result on-screen using soft-proof preview.

  3. 3

    Generate spot-color separations + halftone screens

    Open Separation Studio. Set the channel count, LPI per channel, screen angle per channel, and dot shape per channel. Output is a multi-page TIFF (one page per channel) or layered PSD with screen parameters embedded for the RIP.

  4. 4

    Validate Pantone matches with CIEDE2000

    Pantone Color Finder cross-references every cluster centroid against the full TCX library and flags any color exceeding ΔE 2. The engineer either accepts the closest match, picks an alternate TCX code, or sends the design back for color rework.

  5. 5

    Export the RIP-ready production package

    One click exports: (1) the multi-page TIFF separations with embedded ICC profiles, (2) a Pantone TCX spec sheet listing every color with Delta-E from intent, (3) a halftone screen specification table, (4) a recommended dye-recipe sheet for the mixer. Drop the package into the RIP queue.

Use cases

Common scenarios

Rotary screen pre-press for high-volume runs

Multi-page TIFF separations with screen ruling per channel, ICC-tagged for the destination fabric base. RIP-ready handoff to a Stork or Reggiani rotary press without pre-press rework.

Digital direct-to-fabric production

ICC-profiled exports tagged for cotton, polyester, viscose, or blended substrates. The RIP applies the destination profile, the printed yard matches the soft-proof to within Delta-E 2.

Screen-print pre-press for apparel mills

Spot-color separations at the LPI and mesh count the press supports, with dot-gain compensation curves applied per channel. Strike-off success rate jumps from 60% to 95% on the first iteration.

Jacquard weaving file preparation

Reduce a designer's continuous-tone artwork to the limited color count a jacquard loom can weave, with explicit channel mapping per warp/weft system. CIE-LAB clustering minimizes perceptual loss.

Color management standardization across multiple presses

Build an ICC profile per press × fabric combination once, store in the studio, apply automatically per export. Cross-press color drift drops to within ΔE 1.5 across the entire mill floor.

Buyer color-tolerance compliance for brand work

Generate handoff packages with documented Delta-E for every color, signed by the engineer. When the buyer's QC team measures a swatch with their spectrophotometer, the recorded value matches the documentation within tolerance.

Industry FAQ

Questions about mill engineering on Texloom

Yes. Every TIFF and PSD export includes the source ICC profile (sRGB, AdobeRGB, or your custom design-space profile) as standard. You can additionally specify a destination profile preset per fabric base, which gets recorded in the export metadata for the RIP to consume.

Ship pre-press packages the RIP just runs.

ICC profiles, halftone specifications, Pantone-validated separations, and dye-recipe sheets — every export package the RIP queue needs, generated in one click.

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